Describing the renaissance courtier

During the Renaissance, Baldassare Castiglionein his guide The Book of the Courtierwrote about how an ideal courtier should have polymathic traits. The many talents of the polymath should appear to others to be performed without effort, in an unstrained way, almost without thought [Source: Wikipedia article on Polymath ].

Describing the renaissance courtier

Principles[ edit ] The book is organized as a series of fictional conversations that occur between the courtiers of the Duke of Urbino in when Castiglione was in fact part of the Duke's Court.

In the book, the courtier is described as having a cool mind, a good voice with beautiful, elegant and brave words along with proper bearing and Describing the renaissance courtier. At the same time though, the courtier is expected to have a warrior spirit, to be athletic, and have good knowledge of the humanities, Classics and fine arts.

Over the course of four evenings, members of the court try to describe the perfect gentleman of the court. In the process they debate the nature of nobility, humor, women, and love.

Reception[ edit ] The Book of the Courtier was one of the most widely distributed books of the 16th century, with editions printed in six languages and in twenty European centers. Please help to create a more balanced presentation. Discuss and resolve this issue before removing this message.

Castiglione's characters opine about how their courtier can impress his audience and win its approval. Similar to the Classical Roman rhetoricians Cicero and QuintilianCastiglione stresses the importance of delivery while speaking. In Book I, he states, "Accordingly we may affirm that to be true art which does not appear to be art; nor to anything must we give greater care than to conceal art, for if it is discovered, it quite destroys our credit and brings us into small esteem.

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This much more natural appearance, even though it is not natural by any means, is more advantageous to the courtier. The Count contends that if the courtier wants to attain grazia and be esteemed excellent, it would be in his best interest to have this appearance of nonchalance.

By failing to employ sprezzatura, he destroys his opportunity for grace. By applying sprezzatura to his speech and everything else he does, the courtier appears to have grazia and impresses his audience, thereby achieving excellence and perfection.

Another feature of rhetoric which Castiglione discusses is the role of written language and style. Castiglione declined to imitate Boccaccio and write in Tuscan Italian, as was customary at the time; instead he wrote in the Italian used in his native Lombardy he was born near Mantua: Here, the use of the old and outdated Tuscan language is seen as a form of excess rather than a desirable trait.

Castiglione states that had he followed Tuscan usage in his book, his description of sprezzatura would appear hypocritical, in that his effort would be seen as lacking in nonchalance Courtier Federico responds to the Count's assessment of the use of spoken language by posing the question as to what is the best language in which to write rhetoric.

With the role of language set, Castiglione begins to describe the style and authority in which the courtier must write in order to become successful. The Count explains, "it is right that greater pains would be taken to make what is written more polished and correct…they should be chosen from the most beautiful of those employed in speech" Courtier This is where the style of which the courtier writes encourages the persuasiveness or successfulness of a speech.

The success of a written speech, in contrast to the spoken speech, hinges on the notion that "we are willing to tolerate a great deal of improper and even careless usage" [10] in oral rhetoric than written rhetoric.

The Count explains that along with proper word usage, an ideal courtier must have a proper sense of style and flow to their words.

This form of emphasis on language is noted by Graham as; "Although the Count is aware that more traditional aspects of the orator appearance, gestures, voice, etc.What was the Renaissance? The Renaissance was a time of great social and cultural change in Europe.

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It was a period characterised by innovation, imagination and creativity. The Renaissance was also a time during which .

Describing the renaissance courtier

Dec 17,  · A.a courtier should be modest about his talents and skills B.a courtier should spend most of his time developing his physical strength C.a courtier should know how to wrestle, swim, jump, and run D.a show more Mark the statement if it describes an ideal Renaissance courtier according to The Book of the grupobittia.com: Resolved.

This webpage is for Dr. Wheeler's literature students, and it offers introductory survey information concerning the literature of classical China, classical Rome, classical Greece, the Bible as Literature, medieval literature, Renaissance literature, and genre studies.

What was the Renaissance?

Describing the renaissance courtier

The Renaissance was a time of great social and cultural change in Europe. It was a period characterised by innovation, imagination and creativity.

The Renaissance was also a time during which Europe's classical past was revisited and reinvigorated. Humanism of the renaissance period has manifested a new and developed courtier that is different from earlier courtiers of the medieval age.

Courts, during the Renaissance, were the center of social as well as political life of monarchs and other members of society. What traits does the ideal Renaissance woman have in the Courtier?

the ideal woman is a balance to the man; graceful and kind, lively but reserved, pure, beautiful, soft and delicate; knowledgable in music and painting and know how to dance a bit.

The Book of the Courtier - Wikipedia