Many of the literal themes he wrote about such as Turkish History, witchcraft and 'black' magic were put in the play deliberately as he knew the new King was interested in them. The character who the play is named after interestingly is not the one with the most lines.
Essay Othello is a Venetian tragedy based on love and jealousy, and eventually destroyed by murder and revenge - In Which way does Iago manipulate characters and contribute To their downfall in Shakespeare's play Othello?
Originally from a collection of Italian tales by Giraldi Cinthio, published in Venice in In the Italian version, Iago kills Othello because of his love for Disdomona, but Shakespeare made it so that Iago manipulates Othello into killing her, framing Cassio as her lover, because Othello gave Cassio the job Iago wanted.
Iago and his devious tactics make an already bad situation worse. At the beginning of Act 1, Iago and Roderigo are talking about Othello.
|Iagos disloyalty towards Othello and Cassio is portrayed through the lies he tells to Barbantio, Othello, and Cassio. Othello wants revenge on Othello because he thinks that Othello slept with his wife, Emilia, and because he gave Cassio the promotion Iago thought he deserved.|
I know my price; I am worth no worse a place. He intends to use Roderigo to do his dirty work to ensure that should anything go wrong, the blame cannot be brought on him. Iago uses such sordid language for effect, to get the point across to Brabantio about their surreptitious relationship and to destroy the relationship between Brabantio and Desdemona.
However, Othello has to leave unexpectedly and gives Iago the responsibility of making sure no harm comes to her.
At the end of Act 1 Scene 1, Iago supplies us with a soliloquy to add dramatic effect and to attract the audience.
His soliloquy tells us of how he wants to bring revenge on Othello, using the excuse that Othello had been corrupting his wife, Emilia. To do so Iago tries to make Othello think that Desdemona and Cassio are having some kind of love affair when in fact they are just close friends.
To his conveyance I assign my wife. Iago expresses his lack of respect and hatred for Othello in the following. My cause is hearted; thine hath no less reason. Let us be conjunctive in our revenge against him. Iago talks with Desdemona about his wife Emilia in her presence.
It is now that Iago forms his plan to deceive Othello into believing that there is an affair between Desdemona and Cassio. In a soliloquy, Iago tells of his scheme to frame Cassio. This is an example of Pathos because Iago is using imagery to add dramatic effect.
Shortly afterwards, during a conversation with Roderigo, Iago expresses that Othello has never been with a woman in a sexual way and that he is inexperienced in that kind of situation.
After supplying Roderigo with this interesting information, he supplies us with yet another soliloquy, this time to reassure himself that he is doing this evil and conniving thing against his best friends for the right reasons.
Speaking about his behaviour towards his own wife, he tries to convince himself that it is true that Othello had taken advantage of his wife Emilia.
At the beginning of Act 2 Scene 3, Iago reveals his plan to get Cassio dismissed by embarrassing the Moor. On the night that Othello and Desdemona are consecrating their marriage, Cassio is supposed to be guarding their room, but Iago campaigns to manipulate Cassio with wine. Following this, at the end of the soliloquy, Iago once again uses rhyming couplets to add to the sophisticated image he is attempting to portray.
Following this get-together with Montano, Roderigo follows some orders Iago previously gave him and starts a fight with Cassio, which, in his alcohol-influenced frame of mind, is less than difficult.
Iago recommends that he speak, to Desdemona, because she would be more sympathetic towards his situation. This is dramatic irony, because eventually she does die when Othello confronted her and she refused to tell him what was going on. Othello enters and Cassio leaves, so that Desdemona can ask him about the job, but Othello is suspicious, and when he asks Iago for reassurance that all is innocent, Iago uses reverse-psychology to manipulate his thoughts and make the situation seem more unusual and dubious than it really was.
No, sure I cannot think it that he would sneak away so guilty like, seeing you coming. Good my Lord, if I have any grace or power to move you, his present reconciliation take. Why then, tomorrow night, or Tuesday morn, On Tuesday noon, or night, on Wednesday morn; I prithee name this time, but let it not exceed three days.
After Desdemona leaves with Emilia, Othello makes some revelations to Iago about his feelings for Desdemona. Iago begins to see how Othello is easily led by the words of his supposingly trustworthy ancient, and Iago plays upon this.
A few questions later, Iago starts using mocking, almost sarcastic language to suggest that something could have been happening between Desdemona and Cassio. Iago continues to torment Othello, firstly implying and then stating that he had heard Cassio boasting about having had sex with Desdemona.
Unable to cope with the thought, Othello has a frenzied fit, blurting out his innermost feelings to Iago. This is shown in the form of non-verse colloquial language.
His mind is no longer the organised mind of an army general, and that is shown in the way that the disorganised text is printed. Othello is deeply disturbed by the supposed confession of an affair, and though he wants to be able to trust his wife, all the evidence is going against her innocence, and he collapses in a state of utter confusion.
Iago sticks by Othello even though this state of dillusion. Lago tells us this is a soliloquy.
When Iago asks if there is a chance that Cassio and Bianca might marry, Cassio laughs very loudly and refers to a prostitute, or someone that has customers.Part of how Iago is able to manipulate Othello, and most others in the play, is his complete understanding of internal motivation and understanding of others.
Iago reads and understands many of the characters in the play rather well. Iago is able to manipulate different characters throughout Othello by appearing to be honest and trustworthy, and using this to make people believe what he is saying is the truth. Indeed, Iago is so good at lying that he is able to convince even himself that he has the soundest of reasons to destroy Othello, Desdemona, and Cassio.
Iago's convincing rhetoric clearly reveals what a powerful-and dangerous-tool language can be, especially when used by the eloquent, but unscrupulous, individual. This is shown with Othello being the General, hence superior to Iago, but in social and mental terms Iago is taking control, using his intelligence and deceitful malice, to manipulate and destroy the strong Othello, first seen at the beginning of the play.
- Analysis of the Character Iago's Honesty in William Shakespeares's Othello Perhaps the most interesting and exotic character in the tragic play "Othello," by William Shakespeare, is "Honest" Iago.
Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him and moves him. Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona.
Iago hates Othello and devises a plan to destroy him by making him believe that his wife is having an affair with his lieutenant, Michael Cassio.